Showing posts with label airships. Show all posts
Showing posts with label airships. Show all posts

Friday, 16 October 2009

prophetic visions



"When Burt Smallways" reads the blurb to Wells' 1907 classic " is accidentally whisked off to Germany in a balloon carrying plans for a top-secret aeroplane, he gets involved in Prince Karl Albert's massive airship raid on New York... the first step in a war which soon flares into world-wide catastrophe." The novel sees fearless and hapless Burt witness, from relative safety, the destruction of the Western world, before striving to make a new life for himself in a brutal and feudal post-war society of devastated Europe.

He tumbles into the balloon while assisting an eccentric inventor (a narrative technique perhaps borrowed from Verne's Mysterious Island?) and when, at length, the fog clears he finds himself bobbing between gargantuan Zeppelins – he lands in a German air park, described as an endless matrix of orthogonally aligned airships, each tied down to the ground by a mass of fuel pumps and strings of lights. The scene invokes a cross between Gulliver's Travels and Archigram's Instant Cities.

He sees the fire bombing of New York, a massive aerial battle over Niagara Falls, and only after many years of travel does he make it back to the small suburb where the story began. Civilisation is completely destroyed, and the novel ends with an interesting remark from one of the characters. As he stares up at the rusting monorail lines he realises that even if his children were to live to 100 they would never see the wonders of the society he grew up in.



Image via.

Sunday, 2 August 2009

airships


BT tower, at sunset, as the R101's of the C21 cruise in to dock.

I am on holiday on the Greek island of Hydra, so the second post in the Shifting Shorelines series will have to wait until I get back to London.

While reading a BLDG BLOG post about the Sydney-based Urban Islands studio (I did the same studio 2 years ago with Morphogenesis) I was struck by Mitchell Bonus' project, who I know as one of the UNSW archicats. The thing that really got to me was the idea of producing trading cards for architectural proposals, and then slipping them into cereal boxes, cigarette packets and bags of crisps. This type of subversive dissemination of architecture is really at the base of Millennium People, and I'm sure Ballard would approve.

Why is it architects are so crazy for airships? I am sure they will return to the skies - if only as a result of the collective desires of the design community. Although it sets you thinking about the collective psychology of a profession, I imagine our obsession stems from the fact that airships represent the pinnacle of Modernist thinking about the effects of lightness and transparency- pure, white, floating buildings.

As a homage to Mitch, I have knocked up two images of the London destination for his departing zeppelins. So a link is drawn between Centrepoint and the London Sky Harbour- based in the old BT Tower.